#don't read if you don't want to see criticism of this book

[interstellar-elf]

So I see this once in a blue moon, but I always see the same reaction when it comes to fantasy book recommendations in that Tumblr will always recommend Terry Prachett and J.R.R. Tolkien when it comes to that. I know you all love Discworld and all, but instead of recommending another Discworld novel to people who want to read fantasy, why not recommend some female writers for ONCE. And I don't just mean Ursula K. LeGuin either.

So instead of recommending Nation or Jingo to the person who wants to read a fantasy book critical of colonialism, why not recommend The Poppy War and it's sequels by R.F. Kuang.

Instead of recommending Witches Abroad for a retelling of the Cinderella story, maybe recommend Ella Enchanted by Gail Carson Levine or Princess of Glass by Jessica Day George or any of Mercedes Lackey's take on the story.

Instead of recommending Interesting Times for a fantasy novel set in an Asian fantasy world, why not The Iron Widow by Xiran Jay Zhao.

The next time you want to read fantasy try to look for women writers and don't act weird about it if it's YA either. Sometimes YA novels are just as good as the "adult" books.

Can’t believe Jane Austen wrote Pride and Prejudice in the 2000s

And in 2015 Emily Brontë released literary clsssic Wuthering Heights

Thank God someone paved the way for them…

[astrolovecosmos]

How to Get in Touch with Your North Node

Aries NN: Play more games or join more competitions. Make a list of YOUR wants and needs. Go see a movie alone or do more errands alone to exercise independence. Allow yourself to experience anger and passion. Work on healthy anger management tools and skills. Embrace change and the new. Take action more. Don't be afraid to be a little more impulsive. Make a vision board. Focus on your interests from when you were much younger.

Taurus NN: Do some spring cleaning - and even more so, throwing away. Sit or lay on the ground more. How can you enjoy or incorporate nature into your life more? Forgive yourself from times you were tricked, betrayed, or made an ignorant decision. Practice routine. Take time to disconnect from social media. Address your insecurities in a direct or even tangible way. Remember to see the beauty and strengths in yourself. Lean into resourcefulness.

Gemini NN: Try journaling. Read - read - read. Appreciate or accept your inner child, your flaws, your insecurities. If you can't be honest with a friend, partner, or family member reconsider your boundaries with them. Speak your mind more often. Be open to changing your opinions. Take technology breaks. Yet a meditation or self-care app may be useful. Explore different methods of self-expression. Speak as much as you listen and vice versa. Try something new often.

Cancer NN: Take your mental health seriously. Self-care is worth it. Cook a new recipe or learn how to cook. Practice self-awareness/introspection more often. Consider therapy or self-help books and media. Appreciating and finding strength in your soft side will be a needed challenge. Taking care of something even if it is a plant or pet can be fulfilling. Listen to your intuition. Practicing gratitude and giving can be helpful. Go where you feel safe!

Leo NN: Always schedule time for enjoyment, pleasure, hobbies, indulgence. Hike. Spoil yourself but be sure to spoil others too. Go out to more parties and events. Channel your passion and anger into productivity. Stretch and practice yoga. Do breathing exercises. Get up early more often. Make art - create something. Be open minded to romance and/or affection. Take pride in yourself and life.

Virgo NN: Practice more realism and/or humility. Take part in puzzles, riddles, and anything that uses logic or critical thinking. Tap into your society's common sense and norms that can be most helpful to you. Volunteer or take part in charities. Be part of a team somehow. Reexamine your relationship with work. Surprise someone you care about with a gift, favor, trip, etc. Recognize your talents and skills. Learn a new skill or work on improving a craft. Practice healthy eating and exercise habits!

Libra NN: Be more mindful and selective of who you befriend and date. Practicing self-love is a must. Return favors often. Spend more quality time with that person you haven't seen lately. Be open to frequent date nights, couples counseling, couple events, and double dates if you have a partner. Balance alone time with social time. Get in touch with your romantic and artistic side. Practice objectivity when you can. Don't compare yourself to others. Embrace independence but don't forget to also embrace giving and receiving in relationships.

Scorpio NN: INTROSPECTION NEEDED. Distance yourself from media or people that cause anger, frustration, or heavy sadness or doubt. Self-control is important to practice. Don't lie to yourself! Journal, maybe try a dream journal. Don't underestimate your intuition. Go out in nature. Try something new based on your hunches. Examine yours and others intentions closely. Celebrate the small wins. Get out of your head and get out of your own way. Focus on your goals. Practice and enforce self-respect.

Sagittarius NN: Don't be afraid to explore beliefs and ideals that are very different from yours. Practice independence. Take a few more risks. Give yourself a pep talk. Try power poses. Stick to your morals and your gut. Be honest. Look at the big picture more often. Knowledge is power should be your motto. Learn something new. Speak confidently. Practice authenticity. Try to be present. Make a plan to accomplish small goals and eventually move onto larger goals.

Capricorn NN: Speak up more in meetings! Try going for that promotion or position. Understand the power and importance of money and materialism. Practice self-control and self-discipline. Be more patient. Study or look into history, economics, investments, politics, or business. Work on your boundaries actively. Practice decisiveness when you can. Put yourself first responsibly. Question authority often. Make moves that are more thoughtful or strategic. Pay attention to who supports you and who doesn't. Avoid rushing. Work on trusting yourself.

Aquarius NN: Understand and accept other's intentions. Let go of unhealthy attachments. Practice independence often. Explore themes of rebellion and empowerment. Practice cooperation. Don't resist change. Materialism is not your friend. Try to find what inspires you and be around it often. Cultivating healthy friendships is important. Explore unconventional ideas. Face the unknown when you can. Look at the big picture. Laugh when you can. Practice more tolerance.

Pisces NN: Tapping into your beliefs and exploring spirituality or religion is a major theme. Embrace sensitivity, empathy, and kindness. Give when you can. Don't just relate to others - see yourself in them. Find beauty in yours and others' flaws. Take the scenic route. Practice self-reflection. Practice flexibility and leave behind energy-draining goals or pursuits that don't offer personal fulfillment. Idealism and positive thinking can be helpful at times. Honestly... get lost in yourself or even another sometimes, just remember to come back up to the surface.

[asofspades]

Okay, I got myself a physical copy of The Sun and The Star because I will always prefer a physical book to a digital one and also I can annotate them to my heart's content.

I've tried to not dive too deep into the critics of this book, mainly to avoid spoilers, but also to avoid entering this read with preformed ideas on why it's supposedly a bad book.

Now, I feel like I have to talk about why people may think this is a bad book, I've seen that one of the main critics is Nico and Will's relationship and, having read TOA, I have to say I have a feeling this is a mix of internalised queer phobia and preconceived ideas of what gay romances should be like (mainly, people want a plain straight romance but in a gay format).

Listen, I started TOA thinking that maybe Rick had completely erased Nico and Will's personalities and just made them GAY™ (ykwim). But what I saw instead was two characters who do happen to be traumatised teens in a world that keeps on traumatising them who so happen to be queer and be in a blossoming relationship.

Some of the critics are people saying Will is too controlling about Nico using his powers, but let's all just use our critical thinking skills for a hot minute and realise that the last time something big happened Will found Nico on the brink of death after Shadow travelling well past his limits, killing a guy after unleashing even more power he didn't have the energy for and fading into the Shadows. And let's also take into account that Will (a 14 y.o at that point) is the head medic of camp, so every injured camper is his responsibility and he's also the head counselor of his cabin, a position he acquired because every older Apollo kid died in the battle of Manhattan/labyrinth when he was 13. So we have a kid with way too much responsibility on his shoulders, who lost all of his older siblings at 13 and had to assume more responsibility who's seen his then crush now bf on the brink of death due to overusing his powers. Also, he literally let's Nico use his powers in Tower of Nero and they have contingencies for Nico passing out after shadow travelling, which probably means they actually communicated. I don't really see what's controlling about any of that, especially if you take into account that Nico has been borderline suicidal (because that kid will give up his life in an instant if it means helping the people who need it) and he, historically, has had basically 0 regard for his own wellbeing, something they basically show us he's working on.

Also, some points that I've seen discussed about their relationship are similar at some points to Percabeth's early years of relationship and I've seen no one criticising them for Percabeth, which is what makes me think some people just think queer relationships have to be sunshine and rainbows or be toxic, as if a couple, particularly of young teens with a buttload of abandonment and self worth issues, won't have arguments or ever disagree about anything.

This last point I'm bringing up is just purely speculation, but I've seen people complaining about the fact that Rick wrote this with another writer, as he said it was to make the gay aspect of the characters more accurate from someone who's queer. And I do feel that that decision might have derived from the heavy (and for me kind of undeserved) criticism of Solangelo's relationship dynamic in TOA. Also, some people might have been expecting a regular romance, and some people might have been expecting something purely action packed or something more similar to Percabeth's Tartarus section in HOO, which to that last one I have to say that comparing two people in a longer relationship who have interacted more often and have gone through basically all of their trauma since they were 12 together with another couple that's just starting out and made out of a kid who has too many responsibilities on his shoulders regarding the lives of people and a kid with a huge fear of abandonment and a history of being an outcast and not really liked due to his parentage and his powers as a whole (the boy owns it most of the time but we can't keep denying his self-worth issues just because he's a badass), plus one of them literally went through Tartarus alone before and had a very traumatic experience during and afterwards and the other literally needs sunlight to live, I feel like that would generate some conflicts.

That's all I wanted to say so far, do prepare for another rant once I'm done with TSATS, and probably another one where I do a more in depth analysis of Will and Nico's trauma throughout all of the Percy Jackson sagas and tell you how it shapes the beginning of their relationship.

[filletedfennysnake]

when you see someone bashing your favorite arthurian adaption on the dash

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[longagoitwastuesday]

*reading a thesis about the evolution of the concept of infinity in China with a large amount of tabs open with diverse articles or word combinations to further look for information, all the while seething, blood boiling* I wish Satoru Gojo would fucking cease to exist

[torgawl]

the arguments homophobic people make against same sex couples raising kids makes literally zero sense considering they raise no problem to single parent families. the problem really isn't that there's an absent gender, because if it was they would chase and/or blame single parents and they don't.

[undead-moth]

Because this is such an excellent post I'm going to try to keep my infodump here brief but I can't pass it up:

Whether or not something that happens within a story is "realistic" is determined by an agreement made between the writer and the audience in the premise.

The writer establishes the rules of the world and promises not to break them as long as you, the audience, promise to believe anything that happens without breaking them is real even if they aren't plausible or possible (re: realistic) in real life.

This is where the term "suspension of disbelief" comes from. If the writer asks you to suspend your disbelief higher than they initially promised in the premise, that means they broke one of the rules, and something has happened that goes against what you agreed to believe is plausible or possible for the purposes of immersing yourself in the story. If a story asks you to suspend your disbelief too high from the outset, that means something about this story is just too implausible or impossible as a premise for you to immerse yourself in personally.

When something "unrealistic" happens within a story, it very specifically refers to what shouldn't be plausible or possible within the story's universe -

It does not refer to what is implausible or impossible in real life.

This is why criticism of tragedies, horror, and musicals are often missing the point, and don't offer productive analysis. It doesn't matter if someone in real life would "wait a few minutes" to see if Juliet wakes up. It doesn't matter if losing cell service is "convenient." It doesn't matter if no one "bursts into song" in real life. None of these genres have the same rules as real life and they're not meant to.

If these genres are asking you to suspend your disbelief higher than you're able to, it's fair to not be a fan of them. It's not fair to insist all of these genres actually suck just because they don't conform to the specific height at which you personally prefer a story to suspend your disbelief.

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[cute-sucker]

boxer!rafe holding his baby for the first time, and knowing him he made sure you had a private room and good food.

tell me why he would be so jittery though ??

୭ 🧷 ✧ ˚. ᵎᵎ 🎀 ୭ 🧷 ✧ ˚. ᵎᵎ 🎀

boxer!rafe never had gotten as scared as he did when you had given birth.

waiting. rafe had been waiting for hours, holding a lucky charm that you had given him. the strands of the bracelet were frayed as he toyed with it, over and over again. the smell of the hospital was nauseating, and the feeling of being in a place that smelt like antibiotics and sickness made his skin crawl.

he had gotten the call that your baby was born in the middle of a fight. he was on top of a guy before someone stormed in the middle of the fight. that was uncommon, and the referee quickly had them separated before rafe realised it was your work friend, delany. she looked frantic, as she tried to mouth something.

the minute he realised what it was, he was pulling the ropes of the ring, and yelling at people to get out of the way. blood was splattered across his mouth, and his swelling knuckles stung with pain, as his sweaty t-shirt stuck to his chest.

your water broke.

he was there in minutes, swearing as he tried to close the car. he'd run into the hospital with a huff, demanding to know where you were. to be quite frank it may have been sweet to you - but it was downright scary to the nurses.

a bulky guy with blood splattered all over him, holding a silly pink baby bag. the first nurse let out an uncomfortable laugh before telling him to sit down. now, rafe would have started yelling, but there was this drumming in his heart that made him feel as if he was going to vomit.

he couldn't lose you, no, this was a critical part of all of it. he'd read those stupid books that you had gotten him about pregnancy, and how dangerous it was, and how many mothers had died and how to hold a baby, and, and-

(goddamn it, he was scared.)

"mr. cameron. would you like to come in?"

he looked up to see a nurse with a painful smile, he took a deep breath before nodding his head. rafe felt his hands shake, as he took a step inside the room.

there you were, pretty as always with that discharge night gown, and a relieved sweaty smile on your face. you look so calm, but his eyes zone on your hands. the baby isn't in your hands, and he found himself wondering where the baby was, but he watched you get up to touch him.

"hey, hey baby. calm down. you need to stay like that," he muses, coming closer to rub your shoulders. you close your eyes, a soft gasp coming out of your mouth.

rafe gives you a soft peck on the shoulder, "why didn't you call me?" he whispers in that gentle tone of his. you squirm, peeling open your eyes with those pleading doe eyes,.

"i didn't want to bother you. i knew-" you gasped out, "i knew you had that important match and shit, and i don't know i thought it was like a bad time-"

rafe cursed, "didn't i tell you it was the two of us together? i shoulda' been there for you. shoulda' have held your hand through this shit-" and he knew he's going on a tangent as your lip wobbled and he quickly licked his lips while shaking his head.

"nah, it doesn't matter now. aw, my sweet girl did this all by herself. let me," he muttered, rubbing tears off your cheeks, "where's the baby?" you sniffled, nuzzling your face in his hands, before pointing to the sinks where he saw a small tiny girl.

she's squirming in the nurse's hands, as she gets washed off. her tiny face is squished up as she lets out small squeals. he's struck by how small, how tiny, how he made that little thing with you.

"i-" he choked up unable to take his eyes off your baby, "thank you sweets. thank you." his head bowed down into your lap, the words like worship. he was a devout in your temple.

"here's the baby, ms. cameron."

you looked up at her, a little bundle of joy as the doctor put her in your lap. rafe felt like everything was complete, feeling his throat sting and his hands get clammy. god, what did he do to deserve this?

the baby was perfect, a tiny sweet thing and rafe's hands shook at his sides as you looked up at him with teary eyes.

"do you want to hold her?"

he swallowed hard, his voice that soft whisper you knew so well, "can i?"

you laughed something that was so sweet, ringing in his ear like a song he never wanted to end. yet, he couldn't help but look at you with approval and when he looked into your eyes all he saw was love. all he saw was the truth. finally, he reached for his baby girl, calloused hands cradling her.

he finally had found his family.

[imastoryteller]

Write Like a Director: Crafting a Cinematic Novel (With Examples)

Writing a novel like a movie means propelling your reader through scenes with relentless momentum, slashing through fluff, and ensuring each word drives the plot forward. Trust your readers to connect the dots through dialogue and action, immersing them in vivid, immediate experiences without drowning them in verbose descriptions. Every chapter should feel like a high-octane scene, keeping readers on the edge of their seats, hungry for the next twist, the next revelation. Keep it tight, keep it thrilling. Here are some examples to illustrate each aspect of this dynamic storytelling approach:

Fast Pacing

Chase Through the Alley: Jake sprinted down the narrow alley, the thud of heavy boots echoing behind him. A sharp left, then a right—no time to think, just run. This example thrusts the reader directly into a high-speed chase, emphasizing immediate action and urgency.

Heist in Progress: The vault door creaked open. "Thirty seconds," Maria whispered, stuffing bonds into her bag. The alarm blared. "Move!" The scene conveys a sense of time running out and rapid movement, maintaining a brisk pace with no room for delays.

Dynamic, Fast-Going Plot

Kidnapping Twist: Laura opened her front door to find an empty stroller on her porch. A note inside read: "If you want to see her again, come alone." The unexpected discovery of a kidnapping sets up an immediate and compelling conflict, driving the plot forward swiftly.

Escape Plan: The prison lights flickered. "Now!" whispered Tom. They climbed through the hole, hearing guards’ shouts in the distance. The urgent breakout from prison keeps the plot dynamic and intense, with characters constantly on the move.

Show, Don't Tell

Fight in the Ring: Blood trickled down Max’s face. He clenched his fists, dodged a punch, and delivered a powerful uppercut that sent his opponent to the mat. The physicality and immediate consequences of the fight are shown through actions rather than explained through exposition.

Silent Farewell: Tears streamed down Lily’s cheeks as she handed Jack the letter. Without a word, he turned and walked away, his shoulders slumped. The emotional impact of the farewell is conveyed through the characters' actions and expressions, not through internal monologue or narrative explanation.

No Tedious Descriptions

Quick Change: Sam grabbed the nearest shirt and jeans, pulling them on as he ran out the door, glancing at the clock—he had five minutes to reach the station. The scene moves quickly from one action to the next, providing only essential details to maintain momentum.

Sudden Revelation: In the dim light, Sophie saw the glint of a ring on the thief’s finger. Her father's ring. She gasped, stepping back. The revelation is made through a brief visual detail, keeping the description succinct and impactful.

No Infodump

Mid-Battle Realization: Amidst the chaos, Sarah recognized the tattoo on the enemy soldier’s arm. Her brother. She hesitated, the war raging around her. The revelation about the brother is integrated into the action, avoiding lengthy explanations and keeping the focus on the immediate situation.

Urgent Discovery: Ethan flipped through the ancient book, stopping at a page with a familiar symbol. "It's the same as the pendant," he muttered, pocketing the book and running out. The discovery is brief and directly tied to the plot's urgency, with no extensive background information provided.

Avoid Fluff

Straight to Action: Ben didn’t bother with pleasantries. “We’re out of time,” he said, throwing the bag into the car. “Get in.” The scene cuts straight to the critical moment, avoiding unnecessary dialogue or description.

No Idle Chatter: Emma answered the phone, cutting off the caller's introduction. “What’s the plan?” she demanded, glancing at the clock. The character immediately seeks vital information, eliminating small talk and focusing on the plot's progression.

Tight, Immersive Narrative

Immediate Danger: As the elevator doors slid open, Mark saw the bomb timer: 00:10. He dived for the wires, heart pounding. The imminent threat and the character's swift reaction immerse the reader in the tension of the moment.

Critical Decision: The bridge was collapsing. Anna had seconds to decide—jump or try to save her friends. She took a deep breath and ran back. The character's quick decision-making in a life-or-death situation keeps the narrative focused and engaging.

By applying these principles, you can craft a novel that feels as dynamic and engaging as a blockbuster movie, keeping your readers hooked from the first page to the last.

---

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[room217prayer]

(OP, I'm sorry, I had to rant/ramble a little, if you want I will delete this!)

Tamlin saved Rhysand's life, they owned him for that, but they still berate him, treating him as if HE does owe them something.

Nesta saved Rhysand's, Feyre's and Nyx's lives, they owned her for that, but they still don't respect her, she has to bend to them, and she IS afraid they could/would kill her.

Something, something about how the more Fae (human) aspects of things work only for the IC, for Rhysand, except when they really don't for him, as seen how he never loses anything, not even when he died and came back, where everyone else did.

Something, something about how I know that if Tamlin sacrifices himself for "atone" he won't get another chance, they won't bring him back, because they don't owe him anything. I do kind of believe they'll think this is what was best for him. How Nesta is convinced they could kill her, even though she's saved them, she's "family".

"Tamlin owed Feyre to save Rhysand's life, after what he did to her/to his family" no, he really didn't, because let's not forget what they both did to him. He should've had bargained something in return or simply not bring him back, but he did, for his kindness and love.

"Nesta had to save them, she doesn't deserve any recognition for this" No, she does deserve that and respect, because she simply could've done nothing and she did save their life.

There's something how SJM sometimes seems aware about how the IC works as villains, but not really. In the end is always the rest of the world that should bow to the "true heroes".

Honestly, I wish Tamlin had asked for something in return for Rhysand's life. He should have put Feyre and the entire night court in his debt. They would have stopped treating him like trash if they owed him something. They owed him, they still owe him and he should have made a deal which constantly reminded them of it. But no, once again, his selflessness has brought him nothing but misery because he's surrounded by gaslighting monsters who think they are heroes.

[8housevenus]

8th house synastry!

hii, in this blog i'm going to talk about what your partner's planets mean in your 8th house. i'm going to focus this one on a more relationship-wise dynamic so there will be talks of sexual chemistry, kinks, and things of that nature. and of course, a lot more goes into these types of things apart from what i go over!! hope u enjoy <3

partner's sun in your 8th house - when your partner's sun is in your 8th house, you can find the sun person to be extremely off-putting and intense due to the fact that they will be very eager to figure you out. you appear mysterious to the sun person, and they will not make it unknown that they think they are the one to "repair you." there can be stubbornness in this relationship as your sun person will try to unveil your secrets and experiences you don't want to talk about. as the house person you can resent this and find it to be invasive. however, you have a deep appreciate towards the sun person due to their caring nature and abilities to handle your wounds. sex-life with this person can also be super intense, both of your vulnerabilities allow sex to be much deeper and memorable. this placement can be good for a long-term relationship as long as the house person can feel a sense of privacy. usually there is an instant sexual attraction between the two of you, especially by your sun person. it's magnetic and hard to resist.

partner's moon in your 8th house - house person will find plenty of comfort with the moon person. moon person will not be prone to criticizing your or weaponizing your feelings, they will make significant efforts to understand you and work around any dark areas. you both have very health boundaries surrounding each other's emotions, there's plenty of privacy and security between the two. moon person fulfils your emotional needs more than anybody else does. this can be very prevalent in the bedroom too; comfort is key for the both of you sexually. moon person will usually do more foreplay and deep-talk, they also will be more submissive and favorable to what the house person wants to do. usually, this moon person will be able to read you like an open book. moon person will flutter the house person with chest kisses and vice versa.

partner's mercury in your 8th house - mercury person loves to get behind the surface level discussions with the house person. they like to know you beyond the simple things. house person gives an outlet to the mercury person to express their feelings, stories, traumas, that they usually feel guilty or ashamed to share with anyone else. mercury person admires your strong tolerance towards them. they can be highly persuasive and often times appear manipulating. depending on how it is aspected. usually in the bedroom between the two, mercury person loves dirty talk, kissing, oral, and cuddling up. sex can sometimes be finished more quickly than you're used to, and be careful that the person you are dealing with isn't just using you or sees it as a "friends with benefits" situation. these people are very open to new sexual experiences and can be jumpy.

partner's venus in your 8th house - this one is so good i love love love it. venus person will find themselves in a position where they want to support your lifestyle. some of them might even go out of their way to fund you and spoil you. to them the house person is like their sugar baby. aside from money, this person finds so much beauty in the things you are usually ashamed about. they are able to glamorize the darkness that you might exude to them. as the house person, you grow to have intense ties as the venus person will have immense loyalty towards you and have a "life or death" attitude with you. sometimes this relationship feels surreal because of how hard it clicks. sex-wise, venus person will be able to create a new experience for you everytime. almost feels soul-merging. they will love to neck grab, hold you by your waist, or might even involve toys/costumes, super fantasy-like things. this person will transform your views on sex drastically. venus person can feel very possessive over you and sometimes even forget the bad things you do during the relationship simply because their love feels overpowering.

partner's mars in your 8th house - strong adrenaline rush from the mars person to the house person. sometimes it feels like you have such strong chemistry before you know each other that well. mars is so drawn to the house person that they might do impulsive things just for your attention. this person can match your darkness very well and they have no problem with doing something about settling your issues for you. they don't shy away when you open up, and often times will be protective over you in situations of life or death. in terms of sex, it will feel super intense and the mars person makes sure to go all out for you. they can be unpredictable, and you might often time underestimate what they can do, but they aren't heavy into wasting time. they love hair pulling, face grabs, or penetrations. you both find sex to be a good outlet for pent up feelings, and it definitely is a strong way to show the care between the two.

partner's jupiter in your 8th house - jupiter person will try to point out a lot of the positives through things that have hurted you in the past. they aren't heavy into dwelling on past experiences too much and have more of an optimistic view on life. these people will teach you how to deal with things progressing forward with them, like religiously or spiritually they will open your eyes. these people can also bring an immense influx of money to you and use it to go on vacations and plenty of trips to discover new things and places. you often find that going out with this person is almost healing for you. their energy feels like a breath of fresh air and distracts you from your neglective past. sexually, this person will love butt/thigh grabbing, person might also have bigger behinds or shlongs. feels rejuvenating while you are together. they make you glow in a certain way that other do not. house person finds jupiter person to be very wise and knowledgeable across the board.

partner's saturn in your 8th house - saturn can be tricky but not uncomfortable here. you might feel like this person helps you get your shit together sometimes and see things for the way they are. they will help you understand that building walls is important. between the two of you, this can be a long-lasting relationship and saturn person will be deeply committed. sometimes you might feel that saturn doesn't always understand your emotional state, oftentimes you feel that you cannot always express this to them. they can seem cold, but they are also very experienced in similar things you have dealt with. they offer good perspective and can offer you a stable life in terms of money. sexually, this person might not be too experimental, and worry a lot about if it lives up to your standards. they're more quiet and house person often helps them overcome saturn's shyness to sex. saturn however, will like touching all over your skin, infatuated by your smile, and loves gripping to your ribs. can create a heavily devoted partner.

partner's uranus in your 8th house - uranus person will love to challenege you and make you rewire many stigmas, norms, and traditional values. they love to also connect with your deep-rooted desires, as both of you might have many things in common. this dynamic can be unpredictable sometimes, house person will always see dramatic highs and lows from the uranus person. as the house person, you might like the uranus person covering topics which you find abnormal, however very interesting. sexually, uranus person will have a lot of irregular kinks and desires. usually these people will have prominent veins, have a foot fetish, or might want to indulge in a 3-party act, do it in public, etc. with them they want to break many rules with sex. sometimes this can trigger the house person with their boundaries they have, privacy is also important for the house person, and uranus challenges that.

partner's neptune in your 8th house - neptune person understands the sensitive nature of your volatile state. in a house that gets very dark, neptune matches it but tints it a little differently. you notice that the neptune person almost always has "the answers," but you have to get it out of them almost. as much as a mystery you are, they are also going to be mysterious. they will never overstep and say too much unless you ask from them to. but you notice they bring an old soul energy to you, and they will bring life changing ideas to the table. they will keep you in tune. they love you through your scars as to them it appears as strength. both of you might sense you are equally damaged, but can heal and prosper together. sexually, neptune person can give you a surreal experience. and usually the neptune person knows exactly what to do to please you, as they have a way of reading you through. they will be gentle with you in bed and only step it up if that is what the house person wants. neptune person might have some type of feet kink, or provide a gentle aftercare. interesngly enough, they will always have some fixation on some part of your body. it can seem weird but you find it very cute that they are drawn to it.

thank u for making it this far, i really hope you enjoyed reading some of these. if you feel like this was accurate or inaccurate let me know i would love to hear ur standpoint and do let me know of any other ones you would like me to do. <3

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[gin-juice-tonic]

time for me to step in with my own book of bill spoilers that i would like to talk about

I'm going to talk about the "lost" journal pages. Supposedly they're pages written and drawn by Ford before getting pushed into the portal.

Now, I'm not actually going to talk about the contents of these pages, however I would like to point out something that pinged instantly in my mind, but I don't see anyone else talking about

Take a look at these two pictures from two different pages.

Have you noticed what I'm about to say?

Clearly, these are pictures of Ford as his 60 year old self. Note the hair style, the eyebrows, the ears, and in the 2nd image, the grey streak.

I said they're "supposedly" drawn by Ford, as this is what we are led to believe. However, if these were truly pre-1982, it would be impossible for him to have depicted himself like this!

One might feel tempted to brush it off as an art accident, however, I believe one time could've marked an accident, two times indicates a pattern.

There are other (in my opinion blatant) reasons that makes these journal pages suspect. However for now I just wanted to call attention to these images.

Frankly, I think the "lost" pages were never lost at all, but in fact a mere fabrication by Bill. I plan to discuss this further at a later date (read: when I get my physical journal and am not haphazardly photographing pages in the middle of a barnes and noble)

Thank you for reading, and I hope you examine the pages with a critical eye upon your next viewing!

[star-sim]

too sweet ☆ jay park

☆ bad boy! jay x nerd! fem! reader ☆ summary: after months of an on-and-off relationship with you, jay feared that he'd hurt you. you know that he won't. maybe a few sweet words (and kisses) could convince him. ☆ genre: angst to fluff, suggestive, inexperienced! reader (-ish), jay is really really really DOWN BAD, insecurities ☆ warning(s)? n/a ☆ word count: 2.0k words ☆ everyone clap for hozier’s “too sweet," for my starved jay stans

reblogs and feedback are appreciated!!

"So, you're telling me that you want us to end?"

Jay sucked in a sharp breath, clasping his hands together. "That's not what I mean."

You scoffed, narrowing your eyes at him. The thin gold chain hanging around his neck kissed his honey gold skin deliciously, his silvery hair falling over his brows. You watched as Jay rubbed his knuckles, his jaw clenching with each thought that ran through his mind.

"Then what do you mean?"

If he thought that you'd ever let him go, he was insane.

Jay took a moment to think, before words tumbled from his lips in a slow drawl, as if he was afraid of them.

"We can't be together because I'll hurt you," he said simply. 

Jay watched your expression closely, eyeing your swollen lips— God, were they perfect, like always— as they curled. He could hear the cogs turning in your head, and for a second, Jay thought that he could win the fight.

You and Jay met under rather interesting circumstances. He was slacking in his classes, running the risk of not passing the semester, so the counselors stepped in and had you to help. 

At first, Jay thought you were the most insufferable snob there was. But the next thing he knew, he was pinning you against the wall, hungrily kissing you like he was a starved man and you were his salvation. There was always something so intoxicating about you, the way you were able to chide into his ear why he was failing his classes, yet stayed silent with wide, innocent eyes as his fingers squeezed your thighs. Jay longed for the way you could read him like a book, the way that your black pawns stacked up against him, cornering his white king that made it impossible to escape, all the while holding a polite smile on your face.

It was always unconventional; how could the school's most notorious slacker and shady delinquent even be in the same room as the smartest girl?

Everyone seemed to have something to say about it, and for a second, Jay couldn't help but drink up every word, falling deeper and deeper into the abyss that was his mind.

You were too good for him. You had everything laid out for you, you were just perfect. He wasn't. He was troubled, and stupid, and brash. 

He was mean and bitter, you were bright and sweet. 

So sweet.

Too sweet.

"You'll hurt me?" you scoffed again, looking at him incredulously. 

Under your critical gaze, Jay nearly faltered, as if this wasn't the millionth time that he reconsidered this entire conversation, as if he didn't crave your touch every waking second.

Just ten minutes ago, you were on top of him, your fingers tangled in his hair, ravaging his lips like they were your last meal. Knowing that he was the one that taught you that— how to devour him like a starved hyena— made him feel dizzy.

"When have you ever hurt me?" you pressed, your face pinched.

It was only when your delicate fingers began to unbutton his shirt, soft, but desperate, breaths brushing up against his collarbone, that Jay gently pushed you away, taking you off of his lap and letting you sit beside him on your bed.

"I haven't," Jay swallowed the lump in his throat, unable to ignore the nerves bundling in his stomach, gnawing at him, almost like they were screaming at him to stop. "But I can, a-and I know I will if we don't stop seeing each other."

"What makes you think that?" 

Jay chewed on his lip, thinking about his next move.

Loving you was like playing a game, a game where life and death were at stake. He was willing to roll every dice and destroy every odd if it meant being with you.

You were stone-faced, save for the questioning quirk of your eyebrows, but Jay knew better. 

The moment that the words "I think we should break up" left his lips, Jay could see your pawns retreating; he could see the way that your walls were beginning to come up again, the cage wrapped around your heart tightened, and all he wanted to do was hold you and apologize. 

But he couldn't, because this was for the best.

He'd rather hurt you once, than hurt you a million more times in the future. 

He was afraid of himself, of what his hands could do, of what tears you would shed over him.

He was fundamentally flawed, someone who could not be fixed. That was something that both you and him needed to accept.

"You know me," Jay murmured, his eyes glued to the fluffy carpet on the floor. He couldn't look you in the eye after this, after hurting you. "I'm not good for you."

You stayed silent for a few pulses, only the sound of your shaky breath filling Jay's ears. 

Then, you reached out for him. But, the moment that you soft fingers met his shoulder, Jay violently flinched away.

He knew that if he let you touch him, he'd never be able to pull away.

"Jay..." Your voice was small, and when he looked up to see your face, your brows were furrowed together. You looked hurt, and he wanted to punch himself; he wanted to melt into your warmth, feel your hands on his skin, and taste the paradise that was your lips.

You slowly retracted your hand, something that made Jay's heart ache. 

"Sorry..." he mumbled, quickly averting his gaze once again. After today, he didn't deserve to look at you.

Another few pulses pass in sheer silence, a silence so suffocating that Jay felt his throat tighten.

"Did it mean anything to you?" you finally asked shakily. 

"W-What?"

"Did anything that we did at least mean something to you?"

The word "yes" almost came spilling out of his mouth, eager to prove to you that he indeed loved you— loved you enough to save you. But, Jay stopped himself.

You would never take an explanation that didn't make sense. You'd push and push and push until you got the truth.

He couldn't draw this out any longer, or else he'd crack.

"No," Jay pushed out of his mouth, grimacing at the bitter taste on his tongue. 

He heard you take in a breath, before you clicked your tongue. 

You didn't believe him, and you weren't going to take no for an answer.

"Tell me the truth," you murmured. "All those times we've kissed, why would you kiss me first if it meant nothing?"

He really couldn't do this, he couldn't lie to you.

"W-Well, it's because you're always close to me." Horrible explanation, and he knew it.

You cocked a brow. "No one’s forcing you to kiss me."

Jay gulped. You were reading him like a book, seeing right through him.

"Any man in my position would kiss you," he stammered, unaware that the way his nose scrunched gave him away. Jay's eyes glazed over you. God, you were just so beautiful. "I mean, look at you."

His ears burned with shame, blinking back hot tears that brimmed his eyes. He couldn't believe that he was actually doing this, purposefully lying to your face. He felt disgusting; weak. You were the first person that he's ever loved, the first person that made him feel all sorts of weird, giddy feelings, the first person that made him feel safe and loved. He was ruining it for himself, but he'd rather ruin himself than ruin you. After this, how was he ever going to recover? He couldn't imagine his life without you, not after feeling your warmth, not after having the privilege of seeing you beneath him, pretty eyes filled with stars gazing up at him—

If Jay wasn't so caught up in his head, he'd notice the way that you observed his flickering expression, before suddenly climbing back onto Jay.

"H-Hey—!"

You pushed Jay down onto the bed so that he was lying on his back, sitting right on his abdomen, pinning him down for good.

"You're a horrible liar," you muttered before grabbing his face, pressing sticky kisses against his jaw.

No, no, no! This isn't supposed to happen! You're supposed to hate him!

Your lips trailed from his jaw to the crook right below his ear, the spot that you knew was Jay's sensitive spot. You bit down just enough to make Jay let out a high-pitched sigh. You pulled away, admiring the purple-pink mark you left on his skin, before trailing down to the birthmark on his neck. You ran your tongue over the heart-shaped mark. Jay's hand jerked out for your waist, squeezing it.

"B-Baby..." he breathed, slipping back into his habit of using that name for you. His mind was doing everything in its power to resist you, but all he could do was tilt his head back to give you better access to his neck.

"Baby?" you purred against the shell of his ear. "Thought I didn't mean anything to you."

"I— Shit, don't do that, Baby—" you slid your hand under his shirt, your lips making vulgar noises as it attached to his honey skin. 

"I don't fucking care if you hurt me," you spat in his ear, and chills ran down his spine. Since when were you so... obscene? 

What has he done to you, for you to start off as an innocent and curious girl and end up shamelessly touching him? Had he corrupted you too much?

"You said you wanted to give me the best firsts?" your voice was so harsh, so mean that Jay almost questioned how someone so sweet could be so ruthless. It also made him question why in the hell it made his stomach do a flip. You bit down on a collarbone. "Then stop being a pussy and just let me love you."

Jay threw his head back, letting a groan escape his lips. God, how was he going to win this? How was he going to ignore the shudder of his shoulders as you touched him? How was he going to act like his body wasn't yearning for you?

"I'm pretty and you know it," you rasped in his ear. "So stop resisting me."

Your words were candied, sweet like syrup, seeping into his head and swaying all resolve he had. He almost gave in. Almost. 

"L-Look, I know you’re hot and all," it took every fiber in Jay's being to not give into your tantalizing lips, "B-But you know this is wrong."

You hummed against his skin. "But I don't."

Jay's rendered speechless when you press your hips against his, squeezing his eyes shut. His stomach did a flip, a wave of heat coursing through his body. It felt electric, it felt wrong.

"I don't know that this is wrong, and even if I did, I wouldn't care" your tone is so soft, so innocent, but your actions were so dirty. "Ignorance is bliss."

Jay opened his mouth to let more dumb words pour out, dumb words that were his final (and extremely futile) attempt to restrain himself, but his breath got caught in his throat when they ran your hands through his silver hair, gripping it and pulling it back. You held his head in place by his hair. The sensation of pain on his scalp was delicious, enough to make him feel like putty in the palm of your hands.

"If you don’t stop," his voice was airy and high-pitched now, labored breaths escaping his lips. He wasn't going to win this fight. He never was going to in the first place, not when you were his opponent, "I don't know if I'll be able to control myself."

"Then don't," you said simply against his neck. You looked up at him, meeting his eyes. Your eyes were wide and shiny, innocently staring up at him. Your voice was so pretty and sweet, so sweet that he couldn't believe that you were doing and saying all these things to him. "Don't control yourself."

As Jay fell back into the comfort of the mattress, letting heat spread across his chest and face as you hungrily sunk your teeth into what was his heart, his Adam's apple bobbed.

You were too sweet for him, too sweet for a bitter person like him. 

He wouldn't mind getting tooth decay, yeah?

[trapastrology]

Astro Observations W/ Aris

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7H Uranus in a solar return chart doesn't always mean that a romantic relationship will end. It can be a close friendship/best friend, business partner,etc.

1H Venus in solar return-putting more effort into your looks. This is considered to be a "glow up" year. This is the year where you find your signature style, makeup, scent, etc. I'd consider this to be the best dressed year. Could also change hair color or style. Cosmetic procedures happen here as well.

North Node in Pisces tend to benefit more from having an assistant or help in general. Pisces South Nodes tend to want/get too much help when they need to be more self-sufficient.

11H Liliths are HEAVLY prone to having ppl around them who hate them (esp friends) and don't realize. These are the ppl we see who usually get set up by their "friends" or someone close to them. Look to your lilith sign as well. If your Lilith is in an air sign, watch out for envy in air signs.

For my ppl with majority of their placements in the 2H & 3H tend to be "blind" to themselves. Whether it's their faults or great things about themselves, they can't seem to see it until someone else points it out and then they finally realize it.

2H Pluto/Scorpio 2H- shouldn't verbalize to anyone who much they make. Don't say whether you're doing bad or good financially either. A lot of jealousy and envy will arise from telling the wrong person which will affect your money and stability terribly.

3H Nessus- Usually experience intense trauma or bullying in elementary, with siblings and thru words. They usually write or speak about their pain that usually ends up helping other ppl tremendously. These are the type of ppl who make music or write poetry that helps other ppl get thru hard times. However, due to a lot of bullying and being spoken down to, communication ends up being one of their biggest issues and this can manifest in many different ways

When you get criticism or pushback from doing North Node things, that's how you know you're going into the right direction sometimes. For instance, a 4H NN may get told that they need to focus on their career path instead of creating a family. (Full post on this coming very soon!)

Use your moon on a bad day to help regulate your emotions. Look towards positive aspects

5H Aries Moon- make a creative art project alone.

Sextile 3H Chiron-write about what's bothering me.

Make a playlist with artists who have your NN sign as their dom personal placements & those whose plmts fall into the same house as ur NN. This will evoke that North Node energy out of you. (Something I've been doing for me and my clients for years)

The end! Look at my pinned post for info on my upcoming Patreon. Message me to book a reading! Most readings are only $25 until July 31st.